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Philip Spiess
Bruce: To clarify, my parents were married in 1941 just before the war, when the draft was announced, and my Grandfather Goepp (my mother's father) told them, "You two had better marry now!" My mother told me, just this week, that she didn't think she'd ever have had the gumption to marry my father then (she was twenty years old) if the draft hadn't happened. [P.S.: But after the war, when my father returned from the South Pacific (cue the Rodgers & Hammerstein music) to Fort Belvoir and Alexandria, Virginia, my sister was born (in Alexandria, 1945), and then I was born (in Cincinnati, 1946).]
Larry: Maybe the "strange brews" you refer to were the inspirers of our dreams?
Okay, guys, this is my last installment on my dreams (I promise), as I am checking out for a three-week vacation through Vermont. At Post 1898, I referred to my more recent dreams as relating to earthly cataclysms, largely floods. One I remember showed a vast plain, an extensive desert perhaps, stretching to the far horizon, through the middle of which ran a causeway. I was trying to rapidly transverse this causeway, possibly with part of my family, when I suddenly saw rapidly advancing tidal floods coming streaming in from both sides (no, I have not been to Mont-St.-Michel, but I suspect this was what it is like at high tide). The goal (in my dream) was to get across the causeway to the far horizon of hills and safety before the rising waters overtook the rapidly dissolving (now) sands on which the causeway stood! As I recall, we made it to the far hills -- sounds almost like a Hemingway story, doesn't it? -- (or perhaps the dream ended as we maybe made it) as the whole landscape behind us sank -- disintegrated -- into the rising waters.
And my last vision from Dreamland (name of a major Coney Island, New York, amusement park at the turn of the last century): I was on the more northern stretches of Clifton Avenue in Clifton, that is, the portion of the street that drops down the hill from Lafayette Avenue to (former) Winton Place Station, and thence to Spring Grove Avenue, when the waters (from where? the Mill Creek?) were rising rapidly and melting everything in their path. This included (indeed, featured, in my dream) the hideously bulwark-like concrete Cincinnati Rapid Transit Station (half way down the hill) that had been built in the 1920s but had never been utilized (because the Rapid Transit System, built in the old Miami & Erie Canal ditch or right-of-way, i.e., under what became Central Parkway, had never been completed!); however, this concrete structure, standing vacant for some forty years, had finally been demolished in the early 1960s (well before my dream) in order to build Interstate I-75 through that corridor. As the waters rose, this concrete structure melted like Margaret Hamilton as the witch in The Wizard of Oz (1939), and I fled toward the higher ground of Lafayette Avenue.
Steve Collett: Speaking of out-of-body experiences, circa 1976 I had a severe kidney stone attack. I was put on something stronger than Percodan for the pain, and suddenly one morning at my typewriter at the National Trust for Historic Preservation (yes, we still had typewriters then, and my typing stool had been President Woodrow Wilson's night stool, or potty chair --but that's another story), I felt myself floating up near the ceiling and saw myself seated down below at the typewriter (I immediately requested a change of prescription!). Although I remember the writings of Castenada, I don't think his comments on hands has held true in my dreams. And, yes, Stephen, I do think that our most cogent dreams do occur at the end of our sleep cycle: the dog or cat awakes me in the early morning hours, to be fed or let out, and then I return to sleep, perchance to dream. One more thing, Stephen: the morning outdoor clash is usually the clash of garbage cans in American suburbs, as celebrated by Jeff Rosen and me in our 1962 [?] collective series of poems on garbage and the Cincinnati City Dump (real litter-ature).
Jeff: Feel free to explain any of the parts of my dreams; I won't be offended, for I know how splendidly the Renaissance interpreted dreams.
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