|
Philip Spiess
Dave and Ann (and others): YES -- talking across the arch from one drinking fountain to the other: that was the mysterious lure of Union Terminal (aside from its overall luminous presence -- captured so wonderfully in Dave's pictures!); my grandfather used to take me there just to demonstrate that, and I thought that his voice must be coming out of the square openings that used to dispense paper drinking cups, or else out of the Art Deco air vent grilles nearby. The Terminal's acoustics work far better than Statuary Hall's in the U. S. Capitol (old House of Representatives), where John Quincy Adams, former president, but later a U. S. Congressman from Massachusetts, had his chair placed at the appropriate drop of sound from the arched ceiling, where he could hear his political opponents, on the other side of the room, plotting their (doubtless) nefarious actions. (By the way, John Quincy Adams' last formal public appearance before his death was in Cincinnati, at Wesley Chapel on 5th Street -- don't get me started on the preservation battle over its destruction in the 1970s! -- giving a speech dedicating the Cincinnati Astronomical Observatory on Mount Adams; he considered such an observatory essential to the United States, and tried, unsuccessfully, to make the Smithsonian Institution become just that.)
The National Trust for Historic Preservation (for whom I worked at the time), in the mid to late 1970s, published a nationally-distributed book on varieties of Historic Preservation and its building types in the United States, which included a frontal picture of Union Terminal -- the "Philco Radio" front (much like Dave's, whose photo shows the fountains in good shape and running; when was it taken?), saying that it had been torn down in 1972. I rose up in high dudgeon (as I often did at the National Trust, the low dudgeons being filled with peasants) and sent the Trust's editor-in-chief a one-word note: WRONG! (They were also wrong, in the same book, about a photo of the postal drop box in the Bellevue-Stratford Hotel in Philadelphia: the sculptured metal head on the box they said must have been "Buffalo Bill" Cody, because of his goatee -- maybe he stayed there -- but it was obviously William Shakespeare -- the "Stratford" part of the hotel's name should have been a dead giveaway. There was a reason my former boss at the Cincinnati Historical Society had hired me to be his Research Coordinator at the National Trust for Historic Preservation in Washington.)
Later on, in 1978, the Society for Industrial Archeology (I was president of the Washington, D. C., chapter at the time) half-way through its national convention, moved its entire convention from Louisville to Cincinnati at my insistence, because I said that Cincinnati had much better architecture (the pitiful tykes running the convention thought the two cities were across the Ohio River from one another!). Among other things, I was able to get the entire Union Terminal, top to bottom, offices, storage, and all (this was before the museums moved in), open for the S. I. A.'s inspection (and have the slides to prove it). The Art Deco semicircle motif of the dome was everywhere present: in door knobs, in the lamp on the executive director's desk (and the desk also), in some of the clocks, and so on, and so on. It was one of the (several) triumphs of the Cincinnati portion of the convention (others were the Cincinnati Suspension Bridge, Procter & Gamble's "Ivorydale," and the Melan concrete arch bridge over the main drive in Eden Park, the world's first real reinforced-concrete arch bridge; Cincinnati also has the world's first reinforced concrete "skyscraper," the Ingalls Building, northeast corner of 4th and Vine Streets -- and yes, it's still there.).
Anyone who would like me to send them a copy of the Union Terminal portion of the manuscript book I produced on Cincinnnati's industrial archeology, please send me your postal mailing address (the pictures, from 1933, are important, and I'm not sure how they would reproduce electronically); my e-mail address is atkinson55pnh@verizon.net. [Ann: I was about to send out the Tyler Davidson Fountain portion of the book to you, so I'll include Union Terminal before I send it.]
|