Philip Spiess
Paul:
At the risk of repeating myself (which I'm doing [cf. Post #3455 (4-4-2018) on this "Forum"]), I'll follow up your video of the "Heave of Destruction" with my story of a moment in our lives at Walnut Hills High:
I cannot say whether it was a Steinway or a Baldwin concert grand on the WHHS stage, circa 1961 (the one the now-disgraced Jimmy Levine played on, to impressive effect), but I am about to tell you what happened to it.
Some bright-eyed, though not bright-brained, lad on the Stage Crew -- I think said "genius" was Don Lee, a year ahead of us -- got the not so bright idea that it would be a fine and fun thing to attach ropes to the concert grand piano on stage and hoist it up to the height of the "grid," that massive iron-girdered platform high above the stage from which all of the light battens and scenery battens and curtains and whatnot -- the things that were dropped into place on stage when needed and whisked out of sight when not -- were suspended.
No sooner said than done -- by some other of the idle brains on Stage Crew ("An idle brain is the Devil's playground," it is said). (Full disclosure, as they say in The Washington Post: I was a member of Stage Crew at this time, and obviously present, as I am reporting the incident, but I was not a participant, having great respect for Signor Cristofori's venerated invention -- the "soft-loud" -- which helped make Beethoven great.)
We watched the great grand (Baldwin or Steinway, as it were) sail aloft, as if lifted on wings of song (mind you, it had to be seriously counter-weighted at the batten rail to get it to move at all), and then -- but perhaps you, the reader, anticipate me -- and then . . . with a slow-motion splitting and shearing of the none-too-sturdy rope supporting it, fascinating to watch, it descended.
I say it descended, but this was not in slow motion. It was fast, furious, loud, and devastating. I thank God to this day that there was no one under it, for it hit the stage with a crash that shook the room and demolished the instrument. First, the three sturdy legs which supported it snapped off; the pedals and their support shot off into the wings. Then the keys of the keyboard peeled out of their traditional position like something in an early "Silly Symphonies" cartoon and scattered themselves about the stage. The music stand above them flew up in the air. And with one final grand movement, like Leviathan slipping back into the sea, the heavy folded-back top detached itself from the piano's main body (its iron frame of strings), and ponderously threw itself into the orchestra pit.
I watched this debacle from somewhere mid-Auditorium. Though the possibility of this occurence had crossed my mind on hearing the initial proposal being made, the reality, when it did occur, was far more real than the mere probability. I had seen nothing quite so spectacular since watching the film of the Washington Tacoma Narrows Bridge ("Galloping Gertie") flagellate itself and self-destruct in 1940. I've tried to describe the scene for you -- but I guess you had to have been there.
|